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  Mysteries about the Mona Lisa  (21-05-2013).

There is no doubt that the Mona Lisa is one of the best known artworks in the world. About six million people view the Mona Lisa each year at the Louvre Museum in Paris, France. The Mona Lisa has long been shrouded in countless mysteries, including her enigmatic smile and eyebrows.

The Mona Lisa was painted by the Italian artist Leonardo da Vinci in the 1500s. Mona means Madam in Italian, so the title Mona Lisa can be translated as Madam Lisa. Many historians believe that Leonardo da Vinci painted a portrait of Lisa Gherardini, the wife of a Florentine cloth merchant named Francesco del Giocondo. However, over the years there have been several different views as to the subject of the painting. There are experts that even claim that it is a feminine version of Da Vinci himself. Digital analysis has revealed that Da Vincis facial characteristics and those of the woman in the painting are almost exactly the same.

There is another long-standing question about the famous lady: her eyebrows and eyelashes. As you can tell from the painting, there are no eyebrows on her face. Was it like this from the beginning? Did Da Vinci not paint eyebrows on purpose? Interestingly, French engineer and inventor Pascal Cottere searched this enigma, and found a clue. Cotte found definitive proof that when Leonardo da Vinci painted the original portrait, he included Mona Lisas lashes and brows. Examining the painting using a high-definition camera, Cotte found the evidence he sought - a single brushstroke of a single hair above the left brow. He argues that Da Vinci had painted the eyelashes and eyebrows. Then where did the eyebrows and eyelashes go? Probably, the pigment faded, or somebody cleaned them away, Cotte suggested.

And what makes the ladys smile mysterious and attractive? According to Dr. Margaret Livingstone, a Harvard neuroscientist, Mona Lisas smile comes and goes. It means that the smile on the face of the Mona Lisa disappears when it is looked at directly. The smile only becomes apparent when the viewer looks at another part of the painting. Can we ever solve all the mysteries of this artwork?
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